Educated in England, Boucicault began acting in 1837 and in 1840 submitted his first play to Mme Vestris at Covent Garden; it was rejected. His second play, London Assurance (1841), which foreshadowed the modern social drama, was a huge success and was frequently
His early work in statistical mechanics attracted the attention of the Dutch chemist Peter Debye, under whose direction Onsager studied at the Federal Institute
After completing his theological
In 1493, after reports of Columbus' discoveries had reached them, the Spanish rulers Ferdinand and Isabella enlisted papal support for their claims to the New World in order to inhibit the
The systematic development and analysis of information about the economic affairs of an organization. This information may be used in a number of ways: by the organization's managers to help them plan and control the organization's operations; by owners and legislative or regulatory bodies to help them appraise the organization's performance and make decisions
At the accession of the house of Valois in 1328, France was the most powerful kingdom in Europe. Its ruler could muster larger armies than his rivals elsewhere; he could tap enormous fiscal resources, including taxes authorized by sympathetic popes of French extraction; there remained only four great fiefsthe duchies of Aquitaine, Brittany, and Burgundy, and the county
The second addition to Daniel, the story of Susanna, and the third one, Bel and the Dragon, are preserved in two Greek versions. In both stories the hero is the wise Daniel. Susanna was the pious and beautiful wife of Joakim, a wealthy Jew in Babylon. Two aged judges became inflamed with love for her. They tried to force her to yield to their lust, and, when she refused, they accused
Frederick, the son of Duke Ernest of Austria, inherited the Habsburg possessions of Inner Austria (Styria, Carinthia, Carniola, and Gorizia) on his father's death in 1424. By 1439 he had become the senior member of
Franz studied organ at Dessau from 1835 to 1837. Later he returned to Halle, where he became a friend of Wilhelm Osterwald, many of whose poems he set to music. About the time he published his first
Wagner's single-handed creation of his own type of musical drama was a fantastic accomplishment, considering the scale and scope of his art. His method was to condense the confused mass of material at his disposalthe innumerable conflicting versions of the legend chosen as a basisinto a taut dramatic scheme. In this scheme, as in his model, the Oresteia of Aeschylus,